Free PDF How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD

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How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD

Free PDF How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD

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About the Author

A professional artist and instructor for 20+ years, Lee Hammond has authored and produced 40+ North Light and ArtistsNetwork.TV products. She has owned and operated the Midwest School of Art in Lenexa, Kansas for six years and now has a studio in Overland Park, Kansas where she teaches. She conducts drawing seminars, gives school lectures and mentors nationwide. Visit her website at LeeHammond.com

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Product details

Series: How to draw lifelike portraits from photographs revised edition

Paperback: 160 pages

Publisher: North Light Books; Second edition (November 1, 2010)

Language: English

ISBN-10: 1600619703

ISBN-13: 978-1600619700

Product Dimensions:

8.2 x 0.4 x 10.9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

148 customer reviews

Amazon Best Sellers Rank:

#90,789 in Books (See Top 100 in Books)

Buy this book for the video.I've bought lots of drawing books over the years. I've given most away to people I don't like. I keep books by Lee Hammond and Carrie Stuart Parks because they do the best job of explaining how to draw, and to learn to draw you really need a good book.The big difference between the two is that Hammond uses a grid to help you figure out proportion and Parks uses a measuring aid. Both methods work well and are complementary.But even the best book is insufficient. You need to SEE HOW THEY ACTUALLY DRAW. And for that you need a video. It's like the difference between reading a book on golf and watching a golf video.And this book has a 24 minute video.

An excellent absolute beginner's book. [Just exactly what I was looking for.] Explains how to shade, shape, and properly proportion every facial feature and then how to put them all together in a well done 'portrait' -- using only a photograph. A must have for every beginner intending to draw faces. Be warned, however, that this book teaches to draw 'lifelike' in an ILLUSTRATIVE genre, as opposed to 'REALISTIC' [or 'REALISM']. An example of the difference would be a Norman Rockwell style drawing [illustrative] and any of the old masters [realistic]. This book teaches illustrative, Norman Rockwell style drawing.So this book not the only beginner's book you should have if 'lifelike' and 'realistic' together is what you really want. You should also have 'Drawing on the right side of the Brain -- Betty Edwards and How to Draw What You See -- Rudy de Reyna.Also, I bought this book used hardcover from 'melisasandy' in Amazon Marketplace and although it was advertised as good condition, it came in very excellent condition. If you are going to buy any books used, this is the third book I bought through 'melisasandy' and all arrived in excellent condition. I recommend you buy your used books from them when you can..

This is a tough review for me. I have watched Lee Hammond on Youtube to get of inspiration and a bit of guidance as I try my hand at learning to draw. There are others I use as well. This book seemed like it would be a good addition to my library. Especially with the added DVD of instruction. And that's where it fell apart. The DVD really adds nothing of value to this book. Instead you get the DVD version of something readily available on Youtube in which Lee shows you how to make a value line from darkest to lightest, and then demonstrates how to draw a sphere using her mechanical pens and her tortillions. All needed knowledge, but that's where it stops. There is no real demonstration of how she puts the "Hammond blending technique" (that's how it's billed) to use in an actual creation of a portrait from a photo. Very disappointed. Get the book if you must, but leave the DVD in its holder. You'll gain nothing from viewing it.

I started drawing portraits of my daughter from photos after losing her to cancer last year. Then I was given the name of this book and author and ordered it. It arrived the day before we were flying to Mexico and I read the whole book on the plane. I found a store in Mexico that sold the needed supplies and the first portrait I did was really good. Everyone liked it and thought I had potential. I have since recommended the book to others. With time I have improved in my drawing and I think this is a great book for those who want to draw very nice portraits. And I say if I can do it, anyone can. Go for it!I have read a super-critical, long-winded review of this book that told me that I will never be a great artist using this book. I say so what! I draw beautiful portraits that are pleasing to my subjects and myself. Since I am 71 years old I don't intend to be the "professional" that the long-winded reviewer pretends to be. People are happy with my portraits and so am I. I am very grateful to Lee Hammond for this book.

I have her original "draw lifelike portraits from photographs" and was very disappointed in this one it contains a lot of duplicate info and instructions as the first one. strictly for beginner. The book shows some pictures and instructions, of ethnic and some new drawings I was hoping that the CD would show more detailed instructions in these but it was her basic instructions. I would suggest the first book for beginners although this book would also be good either one. She does very beautiful work and will be very helpful. Had to return book.

Received book in wonderful condition.Love this book. I'm returning to my art after a very long time and need a thorough refresher of my skills. I've read through the book and I immediately related to and appreciated her techniques and insights, as well as how she expressed them.Highly recommend for beginning and returning artists!

Wow! A friend of mine that has become a very accomplished artist, recommended this book to start with. I did my first portrait of a friend and was very pleased with the results. I still have a long way to go but am enjoying the journey.I would recommend this to anyone that has an interest in honing your skills of drawing portraits. Love it!!!

This book is truly wonderful ! I have several art books and this one is by far the best. Lee Hammond does and excellent job of teaching without bogging you down with page after page of yammering. She is to the point and the improvement I've seen in my work as I went through this book is amazing. I personally don't think the reviewer who bashed this book knows what he's talking about. He mentions Betty Edwards book Drawing on the Right Side of the Brain as an excellent book... I have that book ! I made it 25% of the way through doing the exercises and such and then had to quit because my joy and enthusiasm had been sucked right out of me with all the droning on and on. I want to learn how to draw not get a PhD in Art Psychology. After that experience I left drawing for over a year. When my desire to draw returned I bought this book from Lee Hammond and I've been encouraged ever since. I'm thrilled with the improvement I've made and how much fun Lee makes learning. If that reviewer knows so much I didn't quite catch the names of his books. ?

How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD PDF
How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD EPub
How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD Doc
How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD iBooks
How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD rtf
How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD Mobipocket
How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD Kindle

How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD PDF

How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD PDF

How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD PDF

How To Draw Lifelike Portraits From Photographs - Revised: 20 step-by-step demonstrations with bonus DVD PDF

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PDF Ebook Street Children

PDF Ebook Street Children

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From School Library Journal

Gr 1–3—Despite the title, this photographic account focuses on children in Zimbabwe, Mozambique, and Guatemala. The book starts off by emphasizing that the work's subjects either live on the streets or spend time there working, returning home occasionally. They were contacted through charities (Streets Ahead and Safe Passage) that help young people find homes. The kids relate their stories in their own words, and though their lives are challenging and often painful, the brief, concise text isn't graphic (Ana Elizabeth, an 11-year-old living in Guatemala, on her experiences: "Sleeping on the streets is scary. Mum tries to stay awake, but it's still bad until the sun comes up."). Photographs and illustrations depict the children and the conditions under which they've been living in an equally age-appropriate manner. Back matter includes information on how many street children are living in different countries worldwide. With few books available on this particular topic, this title is a solid addition.—Heidi Grange, Summit Elementary School, Smithfield, UT

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Review

These stories of the lives of six street children and two families living in Zimbabwe, Mozambique and Guatemala are often heart-breakingly sad. I think this must have been a challenging book to research and write, not least because there are many gaps in the information the children were able to give. But what shines through is the resilience and courage these young people show however difficult their circumstances. Children have told the author about past experiences, present difficulties and life style and their optimism for their future.Sometimes members of the children’s own families seem to have acted unkindly. Twelve or thirteen year old Santos - he is not quite sure of his age - from Mozambique confides that ‘my Mum didn’t like me, so she left’. And Elizabeth from Guatemala, now twelve, relates how her mother ‘just left me in the street’. But we should point out to young readers that poverty, family breakdown and illness can cause despair and hopelessness and affect a person’s attitude and behaviour. Some parents show great resourcefulness. Ingrid from Guatemala, a widow whose husband was robbed and murdered, has managed to borrow money to start a business selling tourist trinkets. She has been able to rent a room so that her children do not sleep on the street and they go happily to school for part of each day. The illustrations, and perhaps particularly June Allan’s art work, show Ingrid’s smiling children eager to train as journalists, teachers or office workers. There are, of course, hostels and charitable refuges for children living in poverty on the streets. But, even if family life is imperfect many children would rather be with parents, siblings or other relations however good the centre they are staying at. Miguel working in the streets of Mozambique and attending the Meninos Centre wants to be ‘happy with a family -that’s all’.This book is likely to prove a good starting point for classroom discussion. Rather than only talking in general terms about the plight of refugees and street children, young readers will empathise much more if they read stories about the struggles of individuals. This is the great strength of this book. I want to end with the comment of nine year old Chippo living on the streets in a small place in Zimbabwe: ‘ It’s scary sleeping outside’.These stories of the lives of six street children and two families living in Zimbabwe, Mozambique and Guatemala are often heart-breakingly sad. I think this must have been a challenging book to research and write, not least because there are many gaps in the information the children were able to give. But what shines through is the resilience and courage these young people show however difficult their circumstances. Children have told the author about past experiences, present difficulties and life style and their optimism for their future.Sometimes members of the children's own families seem to have acted unkindly. Twelve or thirteen year old Santos - he is not quite sure of his age - from Mozambique confides that `my Mum didn't like me, so she left'. And Elizabeth from Guatemala, now twelve, relates how her mother `just left me in the street'. But we should point out to young readers that poverty, family breakdown and illness can cause despair and hopelessness and affect a person's attitude and behaviour. Some parents show great resourcefulness. Ingrid from Guatemala, a widow whose husband was robbed and murdered, has managed to borrow money to start a business selling tourist trinkets. She has been able to rent a room so that her children do not sleep on the street and they go happily to school for part of each day. The illustrations, and perhaps particularly June Allan's art work, show Ingrid's smiling children eager to train as journalists, teachers or office workers. There are, of course, hostels and charitable refuges for children living in poverty on the streets. But, even if family life is imperfect many children would rather be with parents, siblings or other relations however good the centre they are staying at. Miguel working in the streets of Mozambique and attending the Meninos Centre wants to be `happy with a family -that's all'.This book is likely to prove a good starting point for classroom discussion. Rather than only talking in general terms about the plight of refugees and street children, young readers will empathise much more if they read stories about the struggles of individuals. This is the great strength of this book. I want to end with the comment of nine year old Chippo living on the streets in a small place in Zimbabwe: ` It's scary sleeping outside'. 'Tinged with poignancy, the children's voices as they tell their stories sound authentic and the accounts wholly believable. Although I have no experience of street children from these particular countries I have done some voluntary work with Indian street children and been impressed by their spirit; so too with these young people...I hope this moving and inspiring book becomes widely read and discussed in primary schools, homes and other places where young people come together.' "A book to make you think; a book that makes you unbelievably sad that children live like this and yet amazed at the resilience that allows them to cope and have a positive outlook - a strong message for us all." ÿ"...there are lots of photographs along with June Allan's engaging, sensitive drawings...lots of smiles in this book and masses of delightful colour...that shines through alongside the sad facts. There is emphasis on the fine work of the charities." "this moving book is accessible to quite young readers." "An important message not only about hope but about remembering how lucky we are to live the lives we do and how much others around the world need our support now as much as ever.""this moving book is accessible to quite young readers.""An important message not only about hope but about remembering how lucky we are to live the lives we do and how much others around the world need our support now as much as ever."

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Product details

Age Range: 8 - 12 years

Grade Level: 2 - 7

Hardcover: 40 pages

Publisher: Frances Lincoln Children's Books (July 29, 2014)

Language: English

ISBN-10: 1847804349

ISBN-13: 978-1847804341

Product Dimensions:

8.8 x 0.5 x 11 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#5,051,271 in Books (See Top 100 in Books)

This is a heartbreaking, but important book. I would recommend this for children ages ten and up, particularly because some of the children interviewed were abandoned by parents. "But my mum didn't like me, so she left," shares one child. Losing a parent is probably a child's greatest fear, and to learn of children who actually were abandoned by their parents is too much for children younger than ten, and even for sensitive older children.Older children and adults should be aware of the millions of children in the world who suffer. Social consciousness helps us be grateful for what we have, and hopefully spurs us to make a difference through prayer, financial giving, etc. This book begs for discussion - I urge you to read and process this book with your children, and find a way, be it ever so small, to make the world a better place for suffering children.

Street Children PDF
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Street Children PDF

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